Alviana, Arina Nur and , Fajar Junaedi, M.Si (2018) Resepsi Makna Hijab Dalam Film “HIJAB” (Analisis Resepsi Mahasiswa Fakultas Agama Islam Universitas Muhammadiyah Surakarta pada Makna Hijab dalam Film “Hijab”). Skripsi thesis, Universitas Muhammadiyah Surakarta.
![[img]](http://eprints.ums.ac.id/style/images/fileicons/application_pdf.png) |
PDF (Naskah PUblikasi)
REVISI PASCA SIDANG - RESEPSI MAKNA HIJAB (HALAMAN) r.pdf Download (478kB) |
|
PDF (Pernyataan Publikasi)
PERNYATAAN PUBLIKASI.pdf Restricted to Repository staff only Download (194kB) |
Abstract
The movie always gets forming communities based on the payload message behind them and the public can also exert influence on the film indirectly through criticism. Similarly with movie themed movie is Hijab religion which puts the lives of women with her Hijab muslim. The film tells the story of the friendship of four women who have the background to use different of Hijab. The approach used in this study is the analysis of the reception. Approach analysis of reception provided an opportunity for the audience to be more critical of the message conveyed in an annunciation. The reception of the audience about the meaning of the Hijab in the Hijab movie will be different from each other, so there is the possibility of the new meaning of the movie. The method of this research is the analysis of the qualitative approach with a reception with the techniques of data collection with interviews. This research as the informant is a student of the Faculty of Religion Islam (FAI) Muhammadiyah University of Surakarta who ever saw the movie, the FAI students Hijab understands the meaning of the Hijab and the FAI course 2 student willing to become respondents. Data analysis techniques using the stages of coding. The results of the research note that the reception towards the meaning of Hijab in the film Hijab this has previously been in the encoding and decoding in accordance with meaning respondents towards Hijab itself. Here the respondents agreed that the meaning of Hijab in the film Hijab this in decoding in three positions is the hegemony of the dominant, oppositional and negotiations. The definition of Hijab in the film Hijab hegemony of dominant positions that to discharging the meaning of Hijab and to the position of opposition to the meaning of the Hijab usage message according to which syariah’s posotion as for the negotasi is on the meaning of the rationale ofusage Hijab of film Hijab.
| Item Type: | Karya ilmiah (Skripsi) |
|---|---|
| Uncontrolled Keywords: | reception, the film, the meaning of hijab |
| Subjects: | H Social Sciences > H Social Sciences (General) |
| Divisions: | Fakultas Ilmu Komunikasi dan Informatika > Ilmu Komunikasi |
| Depositing User: | ARINA NUR ALVIANA |
| Date Deposited: | 15 Aug 2018 04:38 |
| Last Modified: | 15 Aug 2018 04:38 |
| URI: | http://eprints.ums.ac.id/id/eprint/66590 |
Actions (login required)
 |
View Item |
